Dried stems, seed heads, petals, and grasses, each element placed with quiet precision. This piece reads like a field journal turned into visual poetry: part botanical study, part abstract composition, entirely its own language.

The eye moves from corner to corner, discovering details that reward a second and third look. Two arched stems curve through the center like a brushstroke made by the garden itself, anchoring a composition that is both ordered and wild.

For the collector who appreciates restraint and knows that the most profound things are often the smallest ones in the room.

One-of-a-kind original. 

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